Similarly, while Sanjuro practices knife throwing as a means to disarm Unosuke and the Eastwood character builds himself an armor with which to stop Ramón’s shotgun shots, Willis’s hero simply stands there and waits for Hickey to make his move. But I just think The Good, The Bad, and The Ugly, Once Upon a Time in the West, and even For a Few Dollars More are better films.Leone is one of those rare directors that pretty much improved in every conceivable way with each new film, which makes it all the more heartbreaking that he died when he still could've reasonably had another 10-20 years of filmmaking in him.Tl;dr: Yojimbo comes at the height of Kurosawa's filmmaking, whereas Fistful of Dollars is just the beginning of a filmography that just kept getting better.I think that's one of the better films.
This prompts a response from him, but as deft as he is with his pistol he still comes across as less of a manipulator, and less of a foreward planner, than Sanjuro.
In both movies, the initial setting appears slightly unlike the one in Both remakes, however, seem to try their best to make us feel uneasy about the killings by making the shooting scenes quite loud and relatively long. Wow. In placing more emphasis on the female characters, Leone may have raised the emotional stakes of the narrative, but he also shifted the focus of the story from the realms of allegory or satire into straightforward fairytale (of the hero rescuing the princess from the evil witch variety).And on a completely separate point, for those lucky souls in London, I see that new prints of Ikiru, Rashomon and Stray Dog will be shown in the South Bank over the next few weeks. A lot of good atmospheric music by Ry Cooder.There's a third film that should be in this conversation: Walter Hill's A lot of of people have gone into the merits of both films better than I ever could. I may be biased, but for me Mifune with his attention to the very smallest detail still is the one who pulls out a performance that is totally on its own level in excellence, while at the other end of the spectrum Willis has a few moments during which he comes across as somewhat inconsistent in his acting. Yojimbo’s quickness and realism, is always more powerful then 30minute battles, and having people get blown back from gun fire. The movies, as noted before, come across as less theatrical, and neither Eastwood’s or Willis’s character seems to really run the show.”This dimension really is missing from Leone’s film, and in a way it may make it more realistic, leaving the character open to the whims of chance. Of course it’s subjective, but for me the scene you mention, where Clint and Ramon almost “bond,” does not so much lessen the tension as increase it.
Ramon’s merciless killing of the soldiers marks him as someone who really is deadly. But I think my appreciation of one over the other comes what follows from both films and where they place in each director's filmography.Along with Hidden Fortress, Yojimbo is one of Kurosawa's most entertaining films, maybe even his last. The thing I love about that particular scene is that Sanjuro does not just acknowledge the direction pointed to and follow it – he actually puts his feet either side of the stick and walks with it beneath him, as if putting himself astride the forces of chance. The result is that the remakes again lose a little of the intimacy, but also look less like stage plays. And the mutual respect that Ramon thinks he sees only serves to increase our fear that he will become all the more deadly and vengeful when he realises he has been betrayed.
While not every western is centrally about this topic, these themes tend to be present at least underlyingly. Whereas both Mifune’s and Eastwood’s heroes use trickery to escape (Mifune hiding in a chest, Eastwood using a well-timed barrel to knock down the enemy), Willis’s escape is a more straightforward boxing match.
Also, as you indicate, he probably wanted to use his horses. He does not seem all that interested in orchestrating the events, and neither is he portrayed as someone who has tricks up his sleeve other than the pistol. I’d be surprised if there were as many restrictions on Hill, though, since Last Man Standing is a recent film. It's one of Kurosawa's last films from a period in which he was producing film after film pretty quickly, each more successful than the last.After this, it wasn't long before it would take five years for Kurosawa to make and release another film. While reading a little bit about A couple of minor points of comparison occurred to me. Two warring factions, however where as R&J is about two characters attempting to escape the conflict but being constantly dragged back in, you see the conflict from the inside, you suffer when mercutio dies, you rage at Paris' pride. I never thought about the water drinking scene, but you are right about both the possible social implications and the idea of it serving as a cleansing act for the hero. There is something quite disturbing about a character who can be almost normal one minute and psychotic the next, if it’s done with enough subtlety. For Ramon there is a kind of erotic thrill in killing. Yet, all three men bring into the role an overload of charisma and masculinity, which is clearly what the character requires.The relationship between the two characters is very similar in In any case, Willis’s hero ultimately lacks the companion that both Mifune’s and Eastwood’s have.
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